Showing posts with label acoustic music. Show all posts
Showing posts with label acoustic music. Show all posts

4/17/13

Blogging from Germany: Richard Wagner

Yesterday as we walked to Andrea's flat for kaffee und kuchen, Tille told us that it was Wagner's 150th and every city was doing its own Ring Cycle or Der Ring des Nibelungen. Wow...go Wagner

The 2013 Ring Cycle at the National Theatre, Mannheim
I've blogged before about the sets in Schnawwl's Alles für das Feuer, based on the Tristan und Isolde story and I might have watched an hour or so of The Ring at the National Theatre, but besides that my experience of Wagner is zippo. (Postscript: My friend Anne Richter just reminded me that I was watching Götterdämmerung with her once but  abandoned her and Wagner to drink beer and watch the football finals. Oops...super-pleb) So I consulted trusty-wiki and here's what caught my eye - 

Quoth Woody Allen "I can't listen to that much Wagner, ya know? I start to get the urge to conquer Poland."

Quoth Richard Wagner "I believe in God, Mozart, and Beethoven."

Quoth Pyotr Ilyich Tchaikovsky: "After the last notes of Götterdämmerung I felt as though I had been let out of prison."

ouch. that's got to hurt

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So I decided to do a little survey. I know how Indians feel about Rabindranath Tagore, especially if he gets dissed - beepy, banky and  bollatile. So I thought, cool, let's see how Germans feel about Wagner. 

I mailed Survey # 1: Who is Wagner? What does he do to you? 

And just in case that didn't stimulate any creative juices, I sent out Survey # 2: Kindly respond truthfully to Nietzsche's intriguing question (that he immediately self-answers) - "Is Wagner a human being at all? Is he not rather a disease? He contaminates everything he touches - he has made music sick."
Richard Wagner

Friedrich Nietzsche
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Ah...the responses come pouring in. First Sophia Stepf, who recently directed M.D.Pallavi in "C Sharp, B Blunt" in Bangalore.

"Wagner is one of the biggest German composers, who invented new forms of theatre and opera (and music for that matter) and was highly abused and misappropriated by Hitler. Therefore complicated!" - Sophia Stepf

She knows complicated. her play is about smartphone apps and gender stereotypes.

Then from Andrea Gronemeyer, director of Schnawwl Theatre and known in India for directing the hugely popular "Boy with a Suitcase"

Wagner as a historic person is a problem because he was an Antisemit and admired by Hitler. So his oeuvre became a symbol for the “bad German spirit”. But on the other hand, must I hate his music just because Hitler was his fan? Wagners music is overwhelming.  It is like a drug or like an ocean of sound to drown in. I hope to experience this many times…. - Andrea Gronemeyer

Then from Agnes Stache-Weiske, who studied at Sophia's in Bangalore, knows lots of the Bangalore musicians and is an old time India hand.


First of all Richard Wagner is the name of a garage and BMW-salon in my next village – and since “Wagner” means “wagon-maker” I find that very appropriate! 

The composer Richard Wagner is of course present at many places in Munich, where his patron and benefactor King Ludwig II was one of his early fans. I always think of the picture where Ludwig went to the theatre to listen to Wagner’s operas – and since he hated people, had the operas performed just for him alone. But since the accoustic was not so good in the empty opera house he engaged hundreds of soldiers to just sit there. They were not allowed to move and hardly to breathe to give him the impression of being alone ...

I saw the “Ring” – all four performances – in Munich in the eighties – and it left a lasting impression – but not the operas but the system of getting tickets. A week before the advance booking started, you could sign your name in a list. Per name you were entitled to 4 tickets – and you had to pay in advance. Every two hours you had to came in person to confirm that you were still on the list. A private car was parked on the very glamorous Maximilianstrasse where someone put a mark next to your name on the list every time. Since we were 4 people under one name we took turns  - first one at 8:00, second one at 10:00, third one at 12:00, fourth one at 14:00, first one again at 16:00 and so on .... all 24 hours. Once not confirmed – you were off the list. The organizer of the list promised to buy the tickets in the order of the names on the list once the box-office opened.
It had something very conspirative to knock on a car-window in the middle of the night – say your name and get an ok for that shift ...

The night before the ticket office opened other fans who boycotted THE LIST camped on the pavement to be the first at the box office in the morning. They refused to accept that some hundreds of people were in front of them in the virtual queue of the list. Early in the morning some were calmly sitting in their sleeping bags on their camping-chairs, drinking coffee from Thermos-flaks, while others got into a veritable fight with the keepers of the list. Lots of shouting and abuses – and in the end the police had to be called.
But as far as I know everyone got their tickets. And after all that effort – I sat through all 4 operas on four days – but the drama on the street was much better that that on stage!!! 

About Nietzsche and Wagner – I can’t comment – both are similarly overloaded with too much symbolism and drama - Agnes Stache-Weiske


Hot from the press!! Here is a response from Coordt Linke, percussionist extraordinaire and father of a new born baby that he has named after the Star Wars character CC-2224 - Cody :)

I remember I was reading a Biography about Richard Wagner, the composer, but only a few things I remember, he seems to like Brass Instruments a lot and big round female singers.
Although I like the Siegfried topic, when Siegfried took a bath in dragon blood and became invulnerable apart from that little spot which was accidentally covered by a leave, just tragic, but that anyway has nothing to do with wagner.
I remember my percussion teacher told me once a story, when he had to play in a wagner opera he had long breaks and gaps during the play so he was able to go home or even to take on another gig.
Percussion is all about timing isn't it?!

hmm... I also remember a flute player with that name... I think thats pretty much it!!!

I wonder what Nietzsche would say if he would live nowadays - Coordt Linke

And from the uber-cool Gerd Pranschke, three precise answers to the three original questions asked:

1. Who is this Wagner?
German composer. Grown up with the music of the 70s and 80s so Wagner wasn´t my music hero, I don´t know so much about him and his music by seeing or listening to his operas. I´ve heard about his life, love affairs, the Bayreuth Hügel story and all that Hitler and Nazi stuff. He must have been a strange person with all this germanic stories in his brain in the 19th century.

2. What does he do to you?
Nothing at all in my life. He´s an historic figure that I´m not interested in. Maybe I will love him and his music when I´m older, but I don´t think so. I don´t like that cultural mainstream.

3. Regarding the Wagner-Nietzsche fracas?
Not interested in it. 


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In March this year, Agnes stayed with us in Bangalore and often in the evening we wondered - what is it about the German spirit that finds resonance in India? Or vice versa. Agnes' parents, both German, met in Mysore. Her father, Dr.Wilfried Stache, was the third director of the Goethe Institut/Max Mueller Bhavan in Bangalore. (The first director, Mrs Graefe-Krack, is buried at the Hosur Road cemetery in Bangalore. The second director was a Mr. Breuer.)  Her mother, Dr. Valentina Stache-Rosen, was an Indologist who published many articles on India.  She collected Indian art and Agnes still has her collection of more than 300 antique Andhra leather puppets. A Chola bronze stands in her garden outside Munich.

As we spoke about theyyam and Balan Nambiar's latest work on mirror deities we wondered if it was our mutual love of all things mythic. Characters who are gigantic, with supramental grandeur. Götterdämmerung is after all, apocalyptic, a war between Gods. Much like the Mahabharatha.

Theyyam
A Scene from Gotterdamerrung
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I would encourage you to do as I say and not as I do. Andrea's right, Wagner is a drug. Drop some Wagner today. Here's a good link: http://www.youtube.com/watch?v=A1I7vEGYDOA

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11/7/10

Music of a Sunday

If there is any one art that could wrench your heart right out, what would it be? 
For me it's easy...music. Nothing - not film, not theatre, not visual art - can match music for me. I'm admittedly a pop music junkie and somewhat addicted to Youtube. Born in 1966, I was ripe for the sounds of the  ‘70’s. Led Zepellin’s Immigrant Song to this day can turn my head right round, right round, make me go down, down. But the ‘80s were also fantastic – Oh, Prince! Or T.A.F.K.A.P, why have you disallowed your songs from being played on Youtube? Besides pop, I will listen to most anything that answers for me all those vague karmic longings - MS Subbalakshmi’s Shuprabhatam, Dexter Gordon playing ‘Round Midnight, Billie Holiday singing God Bless the Child, Abida Parveen, Bhimsen Joshi, Daude, Pavarotti singing Nessun Dorma…

Here’s what went down one week in October.

A team of German theatre-makers from the Schnawwl Theatre were in Bangalore to meet musicians, experience sounds and instruments and jam on certain ideas for theatre. I roped Kuki in because I knew he’d have some funky places up his sleeve. Sure enough, he first took us to the old music shops in Balepet. Through narrow corridors and between pawn brokers, he led the way, telling us that all the old shops that had previously specialized in veenas and mridangas were now beginning to make guitars. Bingo! As we entered the first shop, dusty and interesting, a young family, mother and two sons, walked in and asked to buy a guitar.

We looked in on a khanjeera maker and bought beautifully crafted goat skin khanjeeras (lizard skin khanjeeras can only be purchased by traditional khanjeera players) for the remarkably low price of Rs 150 a piece.

And then on a Sunday, a bevy of musicians brought their loveliness to Infinite Souls. 


Vidushi Shanthi Rao & C.N.Anand. 


Ambi Subramaniam, incredibly talented son of Dr.L.Subramaniam.


M.D.Pallavi


Coordt was on hand with his cajon and Kuki with his guitar.


And Shrunga, the young actor playing Naz in Boy with a Suitcase, all ready to improvise with his script.



In the soft October light and with a wind coming through the banana field, we listened to them. Painting pictures in sound, Carnatic making way for Hindustani, Kuki always solicitous of others, listening to the intention behind Shrunga’s words, trying to create through silence and sound the experience of travel, danger, strange lands, longing.



Then Pallavi’s vachanas ringing true through open space and reaching the ears of Neighbour Huchappa and his goats. This unusual combination of Kannada words in the Hindustani style... Indina dina Aananda

Bob Dylan once wrote of Joan Baez’s voice
“When all at once the silent air
Split open from her soundin’ voice
Without no warnin’ from her lips
An’ by instinct my blood reversed
An’ I shook and started reachin’ for
That wall that was supposed t’ fall”

Pallavi has that sort of voice; a “soundin’ voice”.

Shanthi and Ambi playing a tillaana together. The one so experienced, playing her veena, Goddess Sarasvathi’s instrument. The other so young, playing his violin. My heart, floating elsewhere.



Just as Shrunga speaks about goats or cattle, Huchappa’s goats being meh-mehing.



Actor/director Josefina Baez often uses the word “gladly”.
Gladly, I lived that Sunday.
Gladly, I heard this music.




1/8/10

Scenes from a Guitar Clinic




Here is a picture I share with you. 3 buses drive into Infinite Souls on a beautiful overcast Sunday morning. November 15th 2009, actually. The sun is soft on the rocks and the grass, still wet with dew. Nagamma is steaming idlis in the kitchen and Nagraj has made two chutneys – one with fresh coriander leaves and green chillies and one with roasted groundnuts and pepper. And then, out of the buses pour thirty odd….guitarists! Guitars strapped on, black jackets, metal T-shirts, denim, hair of varying lengths. I swear the land smiled.

A few minutes before Bruce and Narayan had arrived in a Scorpio and were now on the verandah. Not so long after, Joshua and Jimmy from Yamaha Guitars called from the top of the mud road and asked to be picked up as they were carrying lots of Yamaha guitars, acoustic and electric. Bharavi off to the rescue. Soon Zui’s verandah was covered with guitar stands and about 20 high end Yamaha guitars.


Kuki passes around a fragment from his Guitar Gita with notes on chord scale relationships, diatonic harmony, intervals, Blues, improvization techniques. What I like best are his gig stories though; so bang-on-the-button whack.Wonder if the guitarists knew of how closely related live music and caberet actually were and of the camraderie among live artists. Fringe folk, all. That’s the rub, innit?




We had organized 3 studio areas: Sandor Szabo www.sandorszabo.com/ in Zui’s cottage, Don Ross www.gobyfish.com/ in the big rehearsal space and Masa Sumide www.masasumide.com/ in the Round. The participant-guitarists too, divided themselves into three groups – one advanced and two intermediary groups - and headed off to the various studios. A round-robin of sorts, so each group got an hour or so with each teacher.



Sandor’s session focussed on classical guitar theory and maqam melodies. He stressed the importance of what Konarak speaks about in Guitar Gita and in general to all Indian musicians – namely, the importance of studying western harmony. Sandor said to the group - Understand the complexity of western music and bring this aspect into your playing, as Indian musicians. It will only enhance the work of an Indian musician who may already be skilled with melody and rhythm, but may lack deep knowledge of harmonies. It often shows when Indian musicians try so-called fusion - their knowledge of harmonies is still nascent, immature. But with harmony, melody and rhythm under one's belt - wow! the sky would be no limit.



Masa's a total rock star on stage. He blew everyone away that first evening. He has a sort of crazy generosity as a player - wanting to give the audience a good time...He brought his unique style and joy of playing to his session. With his very keen ear, he arranges and harmonizes popular standards and picks out the sort of voicing that works beautifully for guitar. He encouraged the group to experiment with alternate tunings such as DADGCD for the Beatles’ Penny Lane & DADGAD for many tunes. He was a very open teacher – freely sharing his finger-style methods. His version of Hotel California was apparently a big hit. I, unfortunately, was cooking or something, so missed it.







Don has to be the  funniest guitarist and best raconteur  I have ever
met. One time, while travelling with Kuki on one of his concert tours in Germany, Teja Gerken (a guitarist from San Fransisco who writes for Acoustic Music magazine) was on the same gig bus and just cracked everyone up. Don too was that sort of fantastic company. Keen to his surroundings, funny, sensitive – and he brought all of that to the clinic. Tapping, alternate tunings, a great sense of rhythm. Participants just wanted to keep jamming with him and he encouraged them to really groove; using slapping and funk techniques to drive the melody along. People knew him in Bangalore, knew his music and were thrilled to have him here.



Lunch was ragi mudde, togri saaru with fresh togri from our fields etc etc The weather got even better…


I had no idea how a guitar rosette was made. And found Arul Dominic’s afternoon session really charming. To think that a rosette is made of thousands of intricately inlaid wooden sticks of variously coloured wood that are finer than toothpicks…! What a labour of love and what a fine craft. Lower-end factory made guitars these days just have a sticker slapped on – I can’t think of a decent analogy, but it seems somewhat flawed and tawdry. It’s quite remarkable that we have a skilled luthier in Dominic right here in Bangalore and really hope more and more serious guitarists will turn to him for their instruments.



Late evening… the participants performed under the thatch and received feedback from Sandor, Masa, Don and Konarak. The idea was to try techniques received over the course of the day and not to bother with sounding good alone, but rather to take risks and try things. It was haunting to listen to them as the sun set. Seasoned guitarists, hobby players as well as some really young players all joined together. There was a camaraderie and sharing that made for a magic day’s end. Here’s to Bangalore’s guitarists! And here’s to them changing the face of music all over!


PS - Ruth Padel is in Bangalore today. I offer you a poem by her. It seems synchronous! Oudh, guitar...both string instruments requiring the skills of a luthier.

LEARNING TO MAKE AN ‘OUD IN NAZARETH
by Ruth Padel


published in The New Yorker, October 2008

The first day he cut rosewood for the back,
bent sycamore into ribs and made a belly
of mahogany. Let us go early to the vineyards
and see if the vines have budded.
The sky was blue over the Jezreel valley
and the gilt dove shone
above the Church of the Annunciation.
The second day, he carved a camelbone base
for the fingerboard.
I sat down under his shadow with delight.


The third day, he made a nut of sandalwood,
and a pickguard of black cherry.
He damascened a rose of horn
with arabesques
as lustrous as under-leaves of olive beside the sea.
I have found him whom my soul loves.
He inlaid the soundhole with ivory swans,
each pair a Valentine of entangled necks,
and fitted tuning pegs of apricot
to give a good smell when rubbed.

The fourth was a day for cutting
the high strings, from camel-gut. His left hand
shall be under my head.
For the lower course, he twisted copper strings
pale as tarmac under frost.
He shall lie all night between my breasts.
The fifth day he laid down varnish.
Our couch is green and the beams of our house
are cedar and pine. Behind the neck
he put a sign to keep off the Evil Eye.

My beloved is a cluster of camphire
in the vineyards of Engedi
and I watched him whittle an eagle-feather, a plectrum
to celebrate the angel of improvisation
who dwells in clefts on the Nazareth ridge
where love waits. And grows, if you give it time.
Set me as a seal upon your heart.
On the sixth day the soldiers came
for his genetic code.
We have no record of what happened.

I was queueing at the checkpoint to Galilee.
I sought him and found him not.
He’d have been in his open-air workshop -
I called but he gave me no answer -
the selfsame spot
where Jesus stood when He came from Capernaum
to teach in synagogue, and townsfolk tried
to throw Him from the rocks. Until the day break
and shadows flee away
I will get me to the mountain of myrrh.

The seventh day we set his wounded hands
around the splinters. Come with me from Lebanon
my spouse, look from the top
of Shenir and Hermon, from the lions' dens.
On the eighth there were no more days.
I took a class in carpentry and put away the bridal rug.
We started over
with a child’s ‘oud bought on eBay.
He was a virtuoso of the ‘oud
and his banner over me was love.






10/7/09

World Guitar Nights: Guitar Clinic



WORLD GUITAR NIGHTS!!! On Nov 8th at Blue Frog, Bombay, Nov 13th & 14th at Jayamahal Palace Hotel, Bangalore - with Don Ross (Canada), Masa Sumide (Japan), Sandor Szabo (Hungary) and Konarak Reddy (India). On Nov 15th - GUITAR MASTER CLASS & CLINIC at Infinite Souls, Bangalore.

Brought to you by Fisheye Media Solutions/Starfish Music and Konarak Reddy, World Guitar Nights hopes to spread the good word about quality guitar playing in India.



On Nov 15th Infinite Souls will be hosting a unique GUITAR CLINIC: With Don Ross, Masa Sumide and Sandor Szabo in Bangalore. Designed to teach and explore special skills such as Finger Style techniques in Jazz & Rock Guitar, Hungarian Gypsy melodies, improvization and harmonies - this Guitar Clinic is a chance to meet, converse, play and hang out with all three guitarists at Infinite Souls - Konarak's rural artists retreat outside Bangalore.

For the convenience of participants, there will be an optional bus pick up from St.Mark's Road, Bangalore and you'll arrive in time for breakfast with the guitarists. Heal your technique and nourish your soul during Music Clinics that begin by 10 am. Lunch will be followed by one-on-one sessions with the musicians till tea. Take your time, learn at leisure, enjoy yourself.
This will be followed by an informal concert for workshop participants. Relax and listen to some of the world's finest guitarists, musicians who have defined a new vocabulary in guitar - up close and intimate - playing, sharing, improvizing. Contact: +91-9845213857 to register. Fees are Rs 4,000/- inclusive of workshop, breakfast and lunch. Rs 200 extra for optional transport.

PS - There'll be home cooked food available for dinner - woodfire pizzas, focaccia, apple crumble etc.

About Don: He is one of today's true innovators of guitar composition and technique. His sense of harmony and groove move him way out of the usual style boundaries associated with acoustic guitar. His is an unclassifiable musical style that borrows from jazz, folk, rock and classical music. When asked, Don usually pigeonholes his music as "Heavy Wood"!

About Masa: Here is what Don Ross says about Masa "50/50" is the funkiest guitar tune I've heard in years...maybe ever!! Excellent work, Masa. Your recording reaffirms my belief that the guitar is capable of more than "guitar music." With an abundant supply of creative energy Masa has continued to release one album every year ever since he put out his first solo guitar album “Treadin’ Easy” in 1999. The latest CD “CAT and MOUSE” is his 11th.

About Sandor: A classical guitarist who forayed into highly skilled improvization, Sandor is known for his compositions. He blends Far-Eastern music with Hungarian folk traditions in an improvised context which makes it very modern. He is presently studying ancient Hungarian Maqams. He is the master of playing 16 string, fretless and baritone guitars. Recently he has begun playing a double neck 24 string koboz (oud).